Sarkar
Released year:- 2005
Starcast:-
· Amitabh Bachchan as
Subhash Nagre (Sarkar)
· Abhishek Bachchan as Shankar Nagre
· Kay Kay Menon as Vishnu Nagre
· Katrina Kaif as Pooja
· Tanisha Mukherjee as Avantika
· Anupam Kher as Motilal Khurana
· Supriya Pathak as Pushpa Nagre
· Rukhsaar Rehman as Amrita (Vishnu's wife)
· Ishrat Ali as Khansaab
· Raju Mavani as Vishram Bhagat
· Zakir Hussain as Rashid
· Kota Srinivasa Rao as Selvar Mani
· Ravi Kale as Chander
Screenplay:- Ramgopal
Varma
Director:- Ramgopal
Varma
Written by:-Manish Gupta
Story:- Sarkar is an
Indian Political crime thriller movie. It is inspired by the movie Godfather.
It is about the crown man called Subhash Nagare in Mumbai. He is work-shipped
as Sarkar by his unlimited followers. He is the man who is aggressive in helping
the people via Hook or Crook and the term Saam Daam Dand Bhed. He is living
with his family in the big villa with his two sons. His one son is psyco man
who keeps on misusing his name. His other son is in the USA. At the times
Sarkar gets trapped in the unknown case and his son arrives in the Mumbai to
meet him. This case changes the life of Sarkar and his son.
This movie resembles the one tiger man who ruled Mumbai for more than 50+ years. RGV….much words
can speak about him. He is a man who believes in the much different ways of
film making. His ways of film making are much more different. He uses the
Technology and camera techniques in much smarter ways. They are much closer
to real situations. Starting scene speaks all about the RGV rules of
filmmaking where we see one man is sitting in the front of Sarkar who is
emoting his pain to Sarkar for the justice. Here we see much of the scene is
completed in the voice over terms where on the other side while narrating the
voice over the entire area where the Sarkar is living is covered. This is a
much different way of film making which keeps the audience involved in a story
from the starting of the film. Dialogues inside the film add much more punching
power. No one can use the Camera angles techniques in a much smartest way the
RGV does.
Big B:- No words….He
doesn’t even need the dialogues to do the scene. He can even do it via
powerful use of body-language and his eyes. Its pleasure to watch him at
the age of 70 to portrait this powerful role.
Abhishek Bachchan:-
Despite the son of Big B, he has proved himself in front of his father. It's
not easy to act and prove himself in front of the superstar power of Big.B.
Zakir Hussain:-This man
is the hidden diamond. His character Rashid…is as Badass as the Sarkar
Kota Rao(Silvermani):-
The antagonist character adds value to the climax of the film. He is the
one who bloodthirsty of Sarkar.
Katrina:- She is wasted
Ravi Kale:- Brillant
KK Memon:- Excellent…He
plays the role of the frustrated son of Sarkar.
Music is not too good in
the movie. Many times one line’’ Govinda…Govinda” keeps on playing in the
background. I didn’t understand why is it played?
For the terms of
Script…Cinematography and the ultra direction style of RGV I will recommend to
watch the film again and again. I also recommend all the writers to purchase
this movie and learn from each and every scene of the movie.
It is one of the
masterpiece of RGV
©
Kaushik