February 24, 2019

Film Review;- Sarkar


Sarkar
Released year:- 2005
Starcast:-
·          Amitabh Bachchan as Subhash Nagre (Sarkar)
·         Abhishek Bachchan as Shankar Nagre
·         Kay Kay Menon as Vishnu Nagre
·         Katrina Kaif as Pooja
·         Tanisha Mukherjee as Avantika
·         Anupam Kher as Motilal Khurana
·         Supriya Pathak as Pushpa Nagre
·         Rukhsaar Rehman as Amrita (Vishnu's wife)
·         Ishrat Ali as Khansaab
·         Raju Mavani as Vishram Bhagat
·         Zakir Hussain as Rashid
·         Kota Srinivasa Rao as Selvar Mani
·         Ravi Kale as Chander


Screenplay:- Ramgopal Varma
Director:- Ramgopal Varma
Written by:-Manish Gupta

Story:- Sarkar is an Indian Political crime thriller movie. It is inspired by the movie Godfather. It is about the crown man called Subhash Nagare in Mumbai. He is work-shipped as Sarkar by his unlimited followers. He is the man who is aggressive in helping the people via Hook or Crook and the term Saam Daam Dand Bhed. He is living with his family in the big villa with his two sons. His one son is psyco man who keeps on misusing his name. His other son is in the USA. At the times Sarkar gets trapped in the unknown case and his son arrives in the Mumbai to meet him. This case changes the life of Sarkar and his son.
This movie resembles the one tiger man who ruled Mumbai for more than 50+ years. RGV….much words can speak about him. He is a man who believes in the much different ways of film making. His ways of film making are much more different. He uses the Technology and camera techniques in much smarter ways. They are much closer to real situations. Starting scene speaks all about the RGV rules of filmmaking where we see one man is sitting in the front of Sarkar who is emoting his pain to Sarkar for the justice. Here we see much of the scene is completed in the voice over terms where on the other side while narrating the voice over the entire area where the Sarkar is living is covered. This is a much different way of film making which keeps the audience involved in a story from the starting of the film. Dialogues inside the film add much more punching power. No one can use the Camera angles techniques in a much smartest way the RGV does.
Big B:- No words….He doesn’t even need the dialogues to do the scene. He can even do it via powerful use of body-language and his eyes. Its pleasure to watch him at the age of 70 to portrait this powerful role.
Abhishek Bachchan:- Despite the son of Big B, he has proved himself in front of his father. It's not easy to act and prove himself in front of the superstar power of Big.B.
Zakir Hussain:-This man is the hidden diamond. His character Rashid…is as Badass as the Sarkar
Kota Rao(Silvermani):- The antagonist character adds value to the climax of the film. He is the one who bloodthirsty of Sarkar.
Katrina:- She is wasted
Ravi Kale:- Brillant
KK Memon:- Excellent…He plays the role of the frustrated son of Sarkar.
Music is not too good in the movie. Many times one line’’ Govinda…Govinda” keeps on playing in the background. I didn’t understand why is it played?
For the terms of Script…Cinematography and the ultra direction style of RGV I will recommend to watch the film again and again. I also recommend all the writers to purchase this movie and learn from each and every scene of the movie.
It is one of the masterpiece of RGV
©
Kaushik

  


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